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DIY · Card 80 · Sound · Waves

How to Make Straw Pan Pipes That Play a Real Scale

Eight straws, a ruler and a lump of clay. Cut them to the right lengths, seal the bottoms and blow across the tops: a whole octave, tuned by nothing but the speed of sound.

Time
30 minutes
Difficulty
Grown-up
Not needed
Mess
A little clay

01The brief

An instrument tuned with a ruler and the speed of sound.

16.2 cm

the straw for the C above middle C, 523 Hz

½

the length for a note an octave higher

343 m/s

the speed of sound at room temperature, which sets every length

Blow across the top of a straw sealed at the bottom and it hoots. Cut it shorter and the hoot goes up. That is the whole principle of the pan pipes, one of the oldest instruments in the world.

The clever part is that you can work out every length in advance with one formula, then check it with your ears. It sits well beside the wave machine and the harmonograph.

02Kit

What you need

Straws, a ruler and a lump of clay.

Tick off what you have

0 of 5 ready

03Method

Eight steps, from a handful of straws to a tuned octave

Measure, cut, seal, tune, tape.

Step 1 of 8 · Minute 0

Gather the kit

You need eight wide plastic or paper drinking straws, a ruler, a pen, scissors, sticky tack or modelling clay to seal the ends, and strong tape. A tuner app on a phone is a bonus.

Why
Each straw will be a pipe that plays one note. Shorter straws play higher notes, so a row of eight lengths makes a scale.
Watch for
Eight straws, all the same length.

If it doesn’t work

A straw makes no sound at all.

Why

The seal leaks, or you are blowing into it instead of across it.

Fix

Press the plug in firmly, and blow a gentle, flat stream of air across the top edge, not down the straw.

A note is flat.

Why

The pipe is too long.

Fix

Trim a millimetre off the top and test again. Small cuts make a surprising difference at the short end.

A note is sharp.

Why

The pipe is too short, often because the plug went in too far.

Fix

Push the plug out a little to make the air column longer, or cut a new straw.

04Pipes and waves

How a length becomes a note

Each pipe rings at the frequency whose sound wave fits inside it. Work out that frequency for each note you want, and you have your cut-list. Here it is for a full octave of C major:

Tap the pipes to hear them:

C16.2D14.4E12.8F12.1G10.8A9.6B8.5C8.0

Tap a pipe to hear it. Lengths are in centimetres, measured from the sealed end to the open top. A straw sealed at one end sounds when a quarter of a wavelength fits inside it, so L = v ⁄ 4f, minus a couple of millimetres for the air that bulges past the open end. The top C is exactly half the length of the bottom one: an octave. Warm air carries sound faster, so the same note needs a slightly longer straw: straws cut in a cold room play sharp in a warm one.

What is actually happening inside the straw? The air is sloshing back and forth:

open end: air moves mostsealed end: air can’t move1 quarter-wave in the pipe

This note

531 Hz

Wavelength

64.7 cm

Lowest note

531 Hz

The blue dots are parcels of air, slowed down millions of times. They can’t move at the sealed end, so the wave must have a still point there and its biggest swing at the mouth. The simplest fit is a quarter of a wave; the next is three quarters, at three times the frequency. Even multiples never fit, which is why a sealed pipe sounds hollow and woody, like a clarinet.

05The big idea

Pitch is
a length.

Every musical note is a frequency, and every frequency in air is a wavelength: speed divided by frequency. An instrument is just a way of holding a particular length of air, string or wood still enough to ring.

Halve the length and you double the frequency: an octave. Shorten it to two-thirds and you get a fifth. The Pythagoreans discovered these simple ratios with strings two and a half thousand years ago; your straws obey exactly the same rule.

06The math

Quarter waves and octaves

1 · Closed pipe

f = v ⁄ 4(L + 0.6 r)

L the pipe length, r its radius, v the speed of sound.

2 · Speed of sound

v ≈ 331 + 0.6 T m/s

In air, at temperature T in °C.

3 · Equal steps

2^(1⁄12) ≈ 1.0595

Each semitone up multiplies the frequency by this.

At 20 °C, sound travels at about 343 m/s. For C at 523.25 Hz: 343 ⁄ (4 × 523.25) ≈ 0.164 m, minus 0.6 × 3 mm ≈ 1.8 mm for the open end, leaves 16.2 cm. The G above it, at 784 Hz, needs 10.8 cm: two-thirds of the length, the ratio of a perfect fifth.

The pipe also rings at 3, 5 and 7 times its lowest frequency, never at even multiples, because a sealed end must always be a still point. An open straw of the same length would sound at v ⁄ 2L: twice the frequency, an octave higher.

07Real life

Pipes and air columns everywhere

From the Andes and church organs to a bottle on the table.

  • Andean pan pipes

    In the Andes, the siku is split into two rows of pipes holding alternate notes, played by two musicians who weave a single melody between them, note by note.

  • Organ pipes

    A big church organ has thousands of pipes. The longest, about 10 metres for a 32-foot stop, sound notes so low you feel them more than hear them.

  • The clarinet

    A clarinet behaves like a pipe closed at one end: the reed end acts sealed. That is why it sounds mostly odd harmonics, giving its dark, hollow tone, like your straws.

  • Bottle music

    Blow across a bottle and the note gets higher as you add water, because the air space shrinks. Tap the same bottle instead and adding water makes the note lower: it is the glass and water vibrating now.

  • Helium voices

    Sound travels nearly three times faster in helium. Breathe it in and the resonances of your throat and mouth jump up, though your vocal cords vibrate just as before. (Never breathe helium from a tank: it can be dangerous.)

  • The didgeridoo

    Played for thousands of years in northern Australia, the didgeridoo is a long tube hollowed out by termites. The player’s buzzing lips seal one end, so it too is a closed pipe, with a deep drone.

40,000

In the Hohle Fels cave in southern Germany, archaeologists found a flute carved from the wing bone of a griffon vulture, with five finger holes and a notched mouthpiece. It is around 40,000 years old.

It is among the oldest musical instruments known, made by some of the first modern humans in Europe. People were already turning tubes of air into music, choosing lengths and holes to make the notes they wanted, long before anyone could write a single word.

08Is and isn’t

Four things people believe about pipes

Longer pipes play higher notes.

The opposite. A longer pipe holds a longer wave, which vibrates fewer times a second: a lower note.

Helium makes your vocal cords vibrate faster.

Your vocal cords are unchanged. Helium shifts the resonances of your throat and mouth, which changes the quality of the sound.

The thickness of the straw sets the note.

Mostly it’s the length. Width only adds a small end correction, a couple of millimetres for a drinking straw.

Sealed or open makes no difference.

Sealing one end drops the note by a whole octave and removes the even harmonics, giving a softer, hollow sound.

09Go further

Five more things to try

  1. A

    Open versus closed

    Make a second, unsealed straw the same length as your lowest pipe. How much higher does it sound?

  2. B

    A two-octave set

    Use the cut-list rule to make pipes from 32 cm (wide tubing) down to 8 cm. How far can you go?

  3. C

    Temperature test

    Play your lowest pipe outside on a cold day and inside in a warm room, checking with a tuner. Does the note shift?

  4. D

    A pentatonic set

    Make only C, D, E, G and A. Any order of these five notes sounds pleasant: try improvising.

  5. E

    Slide whistle

    Put a pencil wrapped in tape inside a straw as a plunger. Slide it while blowing to bend the note up and down.

10Questions

Straw pan pipes, quickly answered

How do you make pan pipes from straws?

Cut eight straws to the lengths of a scale, from about 16 cm down to 8 cm, seal the bottom of each with a little sticky tack or clay, and tape them side by side with their tops level. Blow gently across the tops to play.

How long should each straw be?

For a straw sealed at the bottom, the length is about the speed of sound divided by four times the frequency: L = v ⁄ 4f. For the C above middle C (523 Hz) that is about 16.2 cm, and every note an octave higher needs half the length.

Why do shorter straws make higher notes?

The note is set by the sound wave that fits inside the pipe. A shorter pipe holds a shorter wave, and shorter waves vibrate more often each second, which we hear as a higher pitch.

Why do the straws need to be sealed at the bottom?

A sealed straw is a closed pipe: it rings when a quarter of a wave fits inside, so it plays an octave lower than an open straw of the same length. Without the seal the notes are higher and weaker.

Why does blowing across the top make a note?

The stream of air flickers back and forth across the sharp edge of the straw. The air column inside picks out its own natural frequency from that flicker and rings at it, like a swing pushed at the right moments.

Safety · Keep sticky tack and small straw offcuts away from children under three. Blow gently: lots of hard blowing can make you light-headed, so take breaks.

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