Hayao Miyazaki, the renowned animator and film director, has made the world a more creative and imaginative place. Hayao Miyazaki’s work has entertained and captivated audiences for decades with its beautiful visuals, intricate stories, and complex philosophy. He is well-studied and respected among adults, and his films have produced a generation of children entranced by his magical worlds.
Miyazaki is an avid follower of the world of children’s literature, and he has a stunning depth of knowledge about the titles that every child should familiarize themselves with. It’s no wonder why these works are held up in such high regard – Hayao Miyazaki created something truly extraordinary that travels far beyond words or images to touch lives all over the world.
Why should you look at Hayao Miyazaki’s favorite children’s books?
In 2010, in tribute to the legendary Japanese publishing house Iwanami Shoten, Hayao Miyazaki selected his fifty favorite children’s books. Hayao Miyazaki’s favorite children’s books list contains stories of solitary or orphaned children and animals that can speak – reminiscent of his animated films – sure to delight children and adults alike.
What’s more, this collection is a reminder that people of all ages can enjoy some of the most delightful works of literature. It also provides a way to peek into children’s minds with its purest stories full of admiration for the world around them.
I know I am not a Hayao Miyazaki, but as a father, I have also listed my 100 favorite children’s books for you.
For more than a century, The Wind in the Willows and its endearing protagonists—Mole, Water Rat, Badger, and, of course, the incorrigible Toad—have enchanted children of all ages. Whether the four friends are setting forth on an exciting adventure, engaging in a comic caper, or simply relaxing by the River Thames, their stories will surprise and captivate you.
Hailed as one of the most enduringly popular works of the twentieth century, this story is a classic of magical fancy and enchanting wit. Penned in lyrical prose, the adventures and misadventures of the book’s intrepid quartet of heroes raise fantasy to the level of myth. Reflecting the freshness of childhood wonder, it still offers adults endless sophistication, substance, and depth.
The animals’ world embodies the author’s wry, whimsical, and unfailingly inventive imagination. It is a world that succeeding generations of both adult and young readers have found irresistible. But why say more? To use the words of the estimable Mr. Toad himself: “Travel, change, interest, excitement!…Come inside.”
When Peter sees the model ship in the shop window, he wants it more than anything else on Earth. But this is no ordinary model. The ship takes Peter and the other children on magical flights, wherever they ask to go. Time after time the magic ship takes them on different exciting adventures, to different countries, and to different times.
“For sheer storytelling delight and pure adventure, Treasure Island has never been surpassed. From the moment young Jim Hawkins first encounters the sinister Blind Pew at the Admiral Benbow Inn until the climactic battle for treasure on a tropic isle, the novel creates scenes and characters that have fired the imaginations of generations of readers. Written by a superb prose stylist, a master of both action and atmosphere, the story centers upon the conflict between good and evil – but in this case a particularly engaging form of evil. It is the villainy of that most ambiguous rogue Long John Silver that sets the tempo of this tale of treachery, greed, and daring. Designed to forever kindle a dream of high romance and distant horizons, Treasure Island is, in the words of G. K. Chesterton, ‘the realization of an ideal, that which is promised in its provocative and beckoning map; a vision not only of white skeletons but also green palm trees and sapphire seas.’ G. S. Fraser terms it ‘an utterly original book’ and goes on to write: ‘There will always be a place for stories like Treasure Island that can keep boys and old men happy.’
Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.
With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible.
One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.
In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.
Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).
The classic tale of shipwrecked adventure, Daniel Defoe’s 1719 novel “Robinson Crusoe” is the fictional autobiography of its title character. When cast ashore upon a tropical island, Robinson Crusoe must use his survival skills to find food and shelter and evade the native cannibals. A captivating tale of action and adventure, based in part on the real life adventures of Alexander Selkirk, a Scottish castaway who lived more than four years on an island in the Pacific, “Robinson Crusoe” is regarded by some as the first novel of the English language.
Karel Čapek, author of the acclaimed War with the Newts, is one of the great Czechoslovak writers of the twentieth century. These fairy tales bear Čapek’s combination of the fantastic and the satirical, offering fairies, elves, and talking animals alongside references to detectives, secret police agents, luxury automobiles, and Hollywood starlets. Filled with the delight of language, dazzling wordplay, a sense of absurdity about the so-called adult world, and a deeply humane vision, these witty stories will appeal to readers of all ages.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.
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This is the first collection of Buddhist legends in Japan, and these stories form the repertoire of miraculous events and moral examples that later Buddhist priests used for preaching to the people. As Kyokai describes his own intentions, “By editing these stories of miraculous events I want to pull the people forward by the ears, offer my hand to lead them to good, and show them how to cleanse their feet of evil” (p.222).
Nakamura’s book is actually two works in one: first an introduction to the Nihon ryoiki, and then an annotated translation. The introduction analyzes the life of the author and the influence of earlier writings, and provides a valuable synthesis of the world view reflected in the work.
The annotated translation renders the more than one hundred stories into English narrative, with copious notes. Difficult terms are identified in the text with the original Chinese characters, while historical matters and Buddhist technical terms are explained in the footnotes.
A gorgeous new collectible edition of the beloved classic, Winnie-the-Pooh, crafted as a replica of the first American edition from 1926. This elegant book features a textured case, gold foil stamping, and illustrated endpapers.
For over ninety years, Winnie-the-Pooh and his friends—Piglet, Owl, Tigger, and the ever doleful Eeyore—have endured as the unforgettable creations of A.A. Milne, who wrote this book for his son, Christopher Robin, and Ernest H. Shepard, who lovingly gave Pooh and his companions shape through his illustrations.
Now fans can celebrate the legacy of Pooh with a beautiful new gift edition of the original stories as they were first published in the United States.
